Archive for June, 2015
Reblogged from Gerry’s always excellent ‘That’s How the Light Gets In’ blog – https://gerryco23.wordpress.com/.
Just around the corner from the hotel where we stayed in Berlin, in cobbled and tree-lined Fasanenstrasse, I found outside number 42 eight small brass plaques embedded in the pavement. They record the deportation from this town house of eight Jewish Berliners to their deaths in the east.
These small brass memorials are called stolpersteine (stumbling blocks) and there are now more than 5000 of them in Berlin (plus another 38,000 in 800 towns and cities across Europe), each one commemorating a victim of the Holocaust: whether Jew or Roma, dissident or homosexual, an individual consigned by the Nazis to prison, concentration camp or extermination camp, as well as those who responded to persecution by emigrating or committing suicide.
Stolpersteine are the creation of the Berlin artist Gunter Demnig, their name recalling the old custom in Germany for non-Jews to say, when they stumbled over a protruding stone, ‘There must…
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One of the glorious by-products of the movements of peoples around the world, however grim the reasons, is the music. Music can cross any barriers, transcend any divisions, no translation required. People driven from their homes make take very little with them, but the songs they grew up with, the music they danced to or played, those weigh nothing. And they enrich the communities in which those people find new homes – music that moves our hearts, our hips, our feet, that comes from places we’ve never seen, with lyrics in languages we don’t speak. Music is vital.
That’s one of the reasons why watching Abderrahmane Sissako’s latest film, Timbuktu, is so intense and so harrowing. The ISIL/Taliban group who have taken over Timbuktu spend their evenings listening out for any sounds of music and silencing it. You could say that there are worse things – this regime does those too, stoning to death a couple accused of adultery. But killing music is a way of killing the soul.
The young musicians who make up Songhoy Blues fled their homes in the north of Mali and since then have been taking their desert blues around the world. They’re doing Glasto next week, but last July at Sheffield’s Tramlines festival I saw them play live and they made me dance, made me smile like an idiot, made me cry a little, when Aliou Toure spoke about his country, his continent, and what the music stood for – peace, love, unity.
They won’t go away if we ignore them. They won’t stop taking to the boats or setting off on their desperate, dangerous journeys if we refuse to rescue them or give them shelter. Nor would we.
Some of them have never known safety, stability, a home and a job and a school for the kids. Others had all of these things until something changed – a war, a change of government, a new ideology, an earthquake or a flood – and then had to leave them all behind. This is a humanitarian crisis but as Richard Branson said this week, it’s also a moral one. It needs political will, financial aid, but also human empathy and generosity, the instinct for fairness and hospitality. The answers aren’t easy but we have to find them, collectively.
Fifteen years into a millennium that many of us hoped would see an end to war, a spreading global violence has come to threaten the very foundations of our international system.
More people fled last year than at any other time in our records. Around the world, almost 60 million have been displaced by conflict and persecution. Nearly 20 million of them are refugees, and more than half are children. Their numbers are growing and accelerating, every single day, on every continent. In 2014, an average of 42,500 people became refugees, asylum-seekers or internally displaced persons, every single day – that is four times more than just 4 years ago.
These people rely on us for their survival and hope. They will remember what we do.”
– António Guterres, United Nations High Commissioner for Refugees, World Refugee Day, June 20th 2015.
Globally, one in every 122 humans is now either a refugee, internally displaced, or seeking asylum. If this were the population of a country, it would be the world’s 24th biggest.
Ordinary people, in extraordinary situations. Ordinary people driven from home, by war, persecution, poverty, natural disasters.
Greeks fleeing the destruction of Psara in 1824, Armenians in 1899, Spanish Civil War (1936-9), Czechs from the Sudetenland in 1938, Russian refugees near Stalingrad 1942, Partition of India 1947, Palestinians from Galilee 1948, Hungarians in 1956, Tibetan exodus 1959, Igbo refugees in Nigeria in 1966, Bangladesh in 1971, Ugandan Asians in the 1970s, Cyprus in 1974, Salvadorean Civil War ( 1975-82), Afghanis from 1979 onwards, Mariel boatlift ofCuban refugees in 1980, Vietnamese boat people in 1984, Rohingya people from Burma 1991 onwards, Bosnian refugees in 1993, Rwandans in 1994… And so many more, before and since.
A new art exhibition ‘Back Where You Came From’ examines how ancient stories about migration preserved in the biblical book of Genesis are helpful in considering the current migration crisis. The project seeks to promote open dialogue about migration through reading ancient sacred texts about migration in groups that include people from different faiths and cultures. Sanctuary seekers in the city have reflected on their movement, transience, and migration from their homes by responding to stories about the figures of Abraham, Hagar, Isaac, and Jacob from the book of Genesis.’
‘Back Where You Come From’ will run from 15 to 26 June at The Gallery @ 35 Chapel Walk, in the centre of Sheffield, from 10am to 6pm. Download the exhibition brochure.
Women become refugees for most of the same reasons that men do. They experience most of the same terrors, dangers and indignities along the way. But there are also particular threats that may drive them to leave everything behind and seek safety somewhere else. The fear or immediate threat of forced marriage or genital mutilation, for them or their daughters. The use of rape as a weapon of war, or as a routine way of punishing women for resistance, or for their sexual orientation.
And leaving home, the perils of the journey, the insecurities of their place of arrival expose them even more to the threat of sexual violence, as destitution may lead to their exploitation by traffickers and pimps. In detention, women who have been raped or sexually abused, or whose culture imposes a duty of modesty, may find themselves being searched, or watched whilst dressing or washing, by male guards. Some have been sexually assaulted by their guards.
Lengthy indefinite detention is inherently unjust. It is inherently damaging to refugees who are already traumatised by their experiences. There must be some alternative to treating people who have sought sanctuary here more harshly than those who have been convicted of a crime. There must be some recognition that the women in Yarls Wood, if they must be detained, need to be safe from harm, treated with kindness, their privacy respected. Pregnant women, and anyone who is sick, physically or mentally, should not be there.
Refugee women can and do contribute. A A Gill, who wrote a series of articles on refugees in DRC, Jordan and Lampedusa published in The Sunday Times Magazine, said: ‘In Congo I realised a truth I’ve known all my life. Whilst women are often victims, they are also often the catalyst for making things better.’ The Refugee Council has for the last few years celebrated these contributions, and here are a few of the recipients of their awards.
This year’s Special Jury Award went to Asma Mohamed Ali. Asma was born on the Brava Coast in Somalia and came to the UK in 1992 having spent much of her childhood in Kenyan refugee camps. Now working in Barnet at the Somali Bravanese Welfare Association, Asma has built a thriving centre and education programme that supports 200 students and their families.
In 2014 Lilian Seenoi, a refugee from Kenya, was recognised as Woman of the Year for her work setting up North-West Migrants Forum – the only migrant forum in Derry/Londonderry, from her kitchen table. Lilian sought asylum in the UK after her work rescuing young girls from early marriage put her life in danger. Her work in Northern Ireland now brings together diverse migrant groups and local communities who have suffered years of tension. Lilian quoted from the Migrant Manifesto: ‘I have witnessed how fear creates boundaries, how boundaries create hate and how hate only serves the oppressors. I do understand that migrants and non-migrants are interconnected. When the rights of migrants are denied, the rights of citizens are at risk. Dignity has no nationality.’
Constance Nzeneu, who received an award in 2014, fled to the UK in 2005 from the threat of a forced marriage in Cameroon where she had trained as a lawyer. After she applied for protection, she was dispersed to Cardiff whilst her asylum claim was being processed. Like thousands of asylum seekers, Constance had no choice over where she would live and had no right to work, but she did not stand still, with the help of a training she became involved in advocacy and community work, This is how she describes those early days:
“I was refused asylum and I realized that there were so many people out there with similar or worse experiences than mine. There was no project led by women seeking sanctuary and I think you can’t really understand this situation – being destitute, being homeless and thinking what am I going to eat tonight, and I don’t want to be a burden to anyone, and how long am I going to be allowed to stay, and I’m about to be deported, what should I do…unless you’ve been through it yourself.”
She now leads Women Seeking Sanctuary Advocacy Group Wales (WSSAG), which she set up to support other women to cope with exile, and to raise awareness within Wales about why women seek sanctuary. The group is now 40 strong.
Community work comes naturally to Nazek Ramadan, who received an award in 2012. In the 1980s she opened her home in Beirut to refugees, and when she and her family had to flee Lebanon for the UK in 1986, she began volunteering soon after she arrived in London, initially at an Arabic speaking supplementary school. Her first challenge was to learn English, which she did by watching children’s TV (advice she still gives to others), going to classes and joining in any activity she could. The early years in London were not easy and Nazek experienced racial abuse. She discovered that learning English and getting a job were not enough to be accepted. When a fellow migrant said to her ‘how can they hate us so much, when they don’t even know us’ she replied by saying, ‘you’ve answered your own question, they don’t know us’. She realised that ‘everyone was talking about migrants except migrants’ and so set out to remedy this. In 2007 she launched the New Londoners newspaper which, modelled on London’s freesheets, succeeded in getting migrant and asylum issues in front of London commuters and won two awards from the Mayor of London. And in 2010 she founded Migrant Voice, an organisation dedicated to addressing the lack of representation of migrants in the mainstream media.
These women left their homes and loved ones, fleeing war and persecution, and managed not only to build a new life for themselves and their families, but also to support and inspire people and communities across the UK.
Decades before the refugees from Vietnam were given the name of ‘boat people’, and before the more recent tragedies in the Med, a group of refugees were desperately hoping for a ship to take them away from Europe, to the US, the UK, anywhere. They went through official channels, or at least they tried, applying for visas and waiting, waiting. Russian author Victor Serge described the temporary community gathered in Marseille:
Here is a beggar’s alley gathering the remnants of revolutions, democracies and crushed intellects… In our ranks are enough doctors, psychologists, engineers, educationalists, poets, painters, writers, musicians, economists and public men to vitalize a whole great country.
Many of them had already fled across Europe. Some made it to safety in another continent. Others didn’t – they left it just a little too late.
Many of those who did make it owed their survival to the work of American journalist Varian Fry, and Harry Bingham IV, the US Vice-Consul in Marseille, who provided forged visas particularly to artists at risk in Occupied France, Mary Jayne Gold , a Chicago heiress who helped to fund the operation, Albert O Hirschmann and Miriam Davenport, along with Robert Dexter , the founder of the Unitarian Service Committee.
Thanks to their collective effort, Marc Chagall (originally from what is now Belarus) and his wife Bella sailed in May 1941. Their daughter Ida and her husband left on another ship, the SS Navemar, chartered by the American Jewish Joint Distribution Committee.
The refugees who managed to get to Seville found themselves taking bunks in its filthy cargo holds (unless they had the funds to pay the captain for more salubrious quarters) – many passengers contracted typhus en route, and six died.
Even on the Navemar the conditions and the dangers faced by these ‘boat people’ were very different to those encountered by today’s boat people. But some similarities remain – a number of such ships were turned away, and had to return to Europe, a terrible prospect for their passengers. In February 1942, the Turkish police cut the anchor of the SS Struma, carrying 767 Jews, and towed it into the Black Sea, where it was set adrift without a working engine. People ashore could make out a large banner that read, “Save us.” A torpedo from a Russian submarine sank the vessel six miles from shore early the next morning. There was one survivor.
Douglas Frantz and Catherine Collins wrote this haunting passage about the Struma in their book Death on the Black Sea:
Standing on the polished deck of a British Royal Navy cruiser in January 1942, Olivia Manning experienced a moment of utter confusion. She and her husband, a British journalist, had joined a party of diplomats and officials for an evening’s pleasure cruise along the Bosporus and around Istanbul harbor. The city lights sparkled in the chill air, and the ship’s forward searchlight played across the night water. The guests danced and sipped martinis and gin and tonics. The festivities stopped abruptly when the searchlight paused on what appeared to be a derelict ship, illuminating rows of faces, white and unsmiling, as they stared back at the partygoers. “Who are they?” asked one of the shocked guests. “What are they doing there?” asked another. Someone suggested it was a prison ship. “The light shifted and the party forgot its grim audience hidden in the dark,” Manning, a novelist who had lived in Romania briefly before the war, later wrote in a newspaper article. “The ship was the Struma.” The images of gaunt, ghostlike men and women from the Nazi death camps were not yet stamped on the world’s consciousness: The hair-raising atrocities were proceeding largely behind closed gates at the end of 1941. In the harbor of one of the world’s largest cities, though, a place teeming with diplomats and journalists, the panorama of Jewish suffering was visible to anyone who cared or dared to look.
As grim and hazardous as the voyages were, for those who didn’t get visas (real or forged) the alternative was clear. Walter Benjamin committed suicide at Portbou in Catalonia, having heard that his application had been refused and that he would be deported back to France. He was not the only one to make such a choice, though the bitter irony is that had he not done so, or had he, like his friend Arthur Koestler, survived the attempt, the following day he could have got the papers he needed.
Varian Fry found himself in a bizarre position. He wrote home:
‘Among the people who have come into my office, or with whom I am in constant correspondence, are not only some of the greatest living authors, painters, sculptors of Europe . . . but also former cabinet ministers and even prime ministers of half a dozen countries. What a strange place Europe is when men like this are reduced to waiting patiently in the anteroom of a young American of no importance whatever.’
This young American of no importance whatever helped Marc Chagall, Hannah Arendt, Andre Breton, Thomas Mann’s brother Heinrich and son Golo, Claude Levi-Strauss, Alma Mahler, Arthur Koestler, amongst many others who were and remain significant cultural figures – and many whose names are unfamiliar, but who nevertheless got their chance to contribute in less public ways.
For Fry this contribution was far from enough. He said “In all we saved some two thousand human beings. We ought to have saved many times that number. But we did what we could.” And he continued to make impassioned pleas to the US government, to anyone who might listen, to do more, to do everything they could in the face of ‘systematic extermination’. In an article in the New Republic, entitled ‘The Massacre of the Jews in Europe’ in December 1942 he said:
There are some things so horrible that decent men and women find them impossible to believe, so monstrous that the civilized world recoils incredulous before them. The recent reports of the systematic extermination of the Jews in Nazi Europe are of this order… we can offer asylum now, without delay or red tape, to those few fortunate enough to escape from the Aryan paradise. There have been bureaucratic delays in visa procedure which have literally condemned to death many stalwart democrats… This is a challenge which we cannot, must not, ignore.
Refugee Week 2015 – Refugee Women
Hundreds of protesters came to Yarl’s Wood on 6 June to demand justice and dignity for women who cross borders, and the closure of Yarl’s Wood detention centre. Before the protest, throughout it and afterwards Women for Refugee Women has been in touch with women who are locked up in the detention centre, and we talked to them about how they felt. We have changed the names of all current detainees in this blog.
‘We were waiting and waiting and hoping that we would hear you from the morning. Then when you walked around the back of Yarl’s Wood and we saw how many people cared we were crying and waving out the window and shouting so you could hear. It helps us to know how many people care because it often feels like we are forgotten in here. It gave us hope and raised our spirits.’ Sonia, 34, asylum seeker…
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