Posts Tagged Feminism
Some of the cultural highlights of my year – a year of working at home, long train journeys to long meetings which gave me more time to read, less time to go to the cinema or the theatre. However, I did manage a few outings…
- Twelfth Night at the Crucible – a real delight. I’d been disappointed that we weren’t getting a tragedy or one of the problem plays, rather than a comedy that I’d seen on stage before, but that feeling evaporated very quickly indeed. The performances were excellent, the staging imaginative and suggestive of darker undercurrents (the cast appearing at windows almost like the undead, the showers of rose petals – see also Poppeia).
- Brilliant opera at Leeds Grand – La Boheme, and The Coronation of Poppeia. And another Boheme, this time in Graves Gallery, from Opera on Location.
- Music in the Round – I’d pick out the Schubert octet, Tim Horton’s bravura performance of the Prokofiev Piano Sonata no. 7 (described by the Guardian as ‘ferocious’), Charlie Piper‘s WWI suite, The Dark Hour; works by Schulhoff & Haas, and consort of viols, Fretwork.
- Once again we celebrated Tim Richardson’s life and passion for learning and teaching with the 24 Hour Inspire – 24 hours of lectures on a host of topics, from WWI poets to insect sex, from biogeography to Mozart, from underground science to fairground history – ok, you get the picture. Once again a host of people stepped up to help, everything ran smoothly, and we were able to donate to Rotherham Hospice and Impact Young Heroes. We’ll be doing it again on 16-17 April 2015. Tim’s charity, Inspiration for Life, goes from strength to strength.
- I revisited the City Ground after far too many years, for the first home game of the season, and Stuart Pearce’s first game as manager. That was a great game. We’re in a slump at the moment, and that early euphoria has dissipated. If it was anyone but Psycho in charge I suspect the calls to sack the manager would be ringing out right now, but few Forest fans would want to deny him the chance to turn things around. I hope he can. I really, really, hope he can.
Top TV of 2014
No attempt at ranking. How could one decide on the relative merits of a gritty cop drama and a comic book fantasy? So, what do all of these shows have in common? First, excellent writing, and great performances. Essential to have both. So many big budget dramas skimp on the former and blow the budget on the latter, but even the best actors can only do so much with a script that clunks. Second, great female characters. All of these programmes basically kick the Bechdel test out of the park. It’s not just about having ‘strong’ women. Not all women are strong, and no women are strong all of the time. It’s about having women characters who are rounded human beings, fallible and flawed, but not dependent on men to make decisions or to solve problems. Some of these women do indeed kick ass, but they don’t all have to. So, to Nazanin Boniadi, Alison Brie, Yvette Nicole Brown, Amelia Bullmore, Lauren Cohan, Clare Danes, Siobhan Finneran, Danai Gurira, Keeley Hawes, Elizabeth Henstridge, Gillian Jacobs, Suranne Jones, Nimrat Kaur, Sarah Lancashire, Melissa McBride, Vicky McClure, Tatiana Maslany, Lesley Sharp, Allison Tolmin, Ming-Na Wen and the rest – cheers, and thanks for giving us images of women that are as diverse and complicated as actual real live women are.
- Fargo – I was decidedly unconvinced beforehand, but it turned out to be funny, gruesome, and touching, with one of my favourite women cops in Allison Tolmin’s Molly (not just a re-run of Frances McDormand’s marvellous Marge from the film, but a character in her own right), Billy Bob Thornton as a grimly hilarious killer and Martin Freeman as a weaselly one, and a wealth of other characters, some of whom we came to care about so much that at tense moments there was much yelling at the screen as we thought they might be in danger.
- Line of Duty – I wasn’t convinced about this one either, mainly because the first series had been superb, and I wondered if they could match it. They did, and it was Keeley Hawes’ performance that clinched it. Whilst I’d watch Vicky McClure in anything, Keeley wasn’t in that category for me, despite Ashes to Ashes. But in this she was riveting, absolutely mesmerising. The rest of the cast was superb too.
- Happy Valley was perhaps the most ironically titled programme of the year. This valley was pretty damned grim. But Sarah Lancashire as cop Catherine Cawood was wonderful, and the story was compelling and moving.
- Scott & Bailey maintained its form in series 4. The three central women (count them! three central women!) are all convincingly real, sometimes infuriatingly so.
- The Walking Dead opened series 5 with an episode so gripping that I really could neither breathe normally nor speak for quite some time. It’s maintained that tension (more or less) whilst varying the format, to focus on different subsets of the characters, and different locations. Carol has been central to this season’s episodes so far, and her character is one of those that has been allowed to develop and deepen throughout. There’s no shortage of other interesting characters, and the plot allows for philosophical, political and ethical speculation as well as for gory shocks and suspense.
- Agents of Shield got past a slightly wobbly first series and got its pace and tone just right. It fits right into the Marvelverse, but stands alone perfectly well. And it features girl-geek Simmons, a Sheffield lass, and there’s just a hint of South Yorkshire in her accent from time to time.
- Community made me laugh more than anything else this year. Just when you think it is as bonkers as it could be, it ups its game, to be even more meta, and even more daft.
- Doctor Who I have spoken of elsewhere. I have a deep love for this programme, and whilst this regeneration has been unsettling at times, uncertain in tone perhaps, I have great hopes for Capaldi and Coleman in series 9 next year.
- Homeland redeemed itself. Gripping stuff, with Clare Danes acting her socks off and getting us deeper into what makes Carrie tick.
- Orphan Black is one of the most criminally underrated programmes of this (and last) year. Tatiana Maslany inhabits each of the characters she plays so well that I forget – disbelieve almost – that there is just the one actress involved. And when she’s playing one of them pretending to be one of the others…. Cracking plot too.
Films of the year – I leave the in-depth cinematic reviews to Arthur Annabel who promises an extensive blog on this topic soon. I simply note these as films which have delighted and/or moved me, in no particular order. Worth noting that whilst the programmes on my TV list get A* on the Bechdel test, the films are considerably weaker on that front. Nonetheless, some fine performances, and Nicole Perlman was the first woman with a writing credit on a Marvel movie (Guardians of the Galaxy).
Women of the year:
Jack Monroe – for enlivening my repertoire of meals to feed the family, and campaigning about food poverty
Professor Monica Grady – for being emotionally, exuberantly passionate about science
Laura Bates – her Everyday Sexism project helped to give women a voice, to tell their stories, to shout back.
In 2014 I’ve blogged about refugees, genocide, football, W G Sebald and Michel Butor, Kazuo Ishiguro, everyday sexism, Tramlines, Josephine Butler and Doctor Who. I got a bit personal on the subject of depression, and was inspired by Caitlin Moran’s How to Build a Girl to present my manifesto – a plea to just be kind. And my blog about reading the last of the Resnick series of detective stories won the approval of the author, John Harvey, who linked to it on his own blog, and republished my jazz playlist!
Amongst the blogs I’ve followed, or at least tried to keep up with, I would particularly note Searching for Albion. This is the record of Dan Taylor’s four month cycling trip across the British Isles, talking to people he meets, by plan or by chance. A fascinating project, beautifully documented.
To all of those who’ve shared some of the above events, obsessions and enthusiasms with me, who’ve given me support when I’ve needed it, who I’ve learned from and with, thank you. I don’t know what to expect from 2015 – but see you there!
The truly great women of history are not celebrated as they should be. Look at the furore when a number of women campaigned to get one – one! – of our bank notes to commemorate Jane Austen, a writer universally acknowledged (pretty much) to be one of the giants of English literature. Whilst statues and street names grant immortality to men whose deeds have been pretty much forgotten and would hardly be celebrated today – ‘heroes’ of war and empire for the most part – very few women make the grade.
Josephine Butler certainly has been consigned to the shadows for far too long. She was once described as ‘the most distinguished Englishwoman of the nineteenth century’ (by Millicent Fawcett). There have been a number of books about her, and the Church of England commemorates her, appropriately enough, in prayer on a dedicated day in the church calendar. The University of Durham has named a College after her, and there’s a Josephine Butler Primary Campus also in Northumberland, her birthplace. But still, we should know more, we should celebrate this truly remarkable woman.
As her latest biographer, Helen Mathers, says, ‘her achievements had lasting impact. Her name deserves to be remembered by all who value women’s struggles to improve their lives’. Helen’s book both justifies that claim, and explains why she is so much less well-known than her contemporary, Florence Nightingale, for example.
Because Josephine Butler, whilst epitomising many of the virtues expected of Victorian womanhood (piety, purity, motherhood and devotion to her husband), also broke all the rules. She went into places where respectable women should never venture, precisely because that was where she found the women she spent her life defending and supporting. Not only that but she spoke in public about their plight, about the abuses of the system which forced internal examinations – ‘steel rape’ – on suspected prostitutes in order to protect their male clients from disease, and the inequalities which trapped so many women in situations where prostitution might seem their only option. A contemporary journalist described her as ‘an indecent maenad, a shrieking sister, frenzied, unsexed, and utterly without shame’. She minded that, terribly.
Josephine was driven by her convictions to go on, despite the cost to her family, to her health, to her reputation, because she believed utterly in her crusade. She saw not only the immediate injustices but the underlying systemic ones that allowed these abuses to continue – the separate spheres for men and women which kept so many women ignorant and denied them a voice, the lack of educational opportunities, of voting rights, of rights for married women. And she was part of all of those campaigns – all of the movements which laid the foundations for the legislative and cultural changes which swept through the twentieth century.
But her support for the most despised of women was at the heart of her life’s work. She ‘made no distinction between “respectable” and “fallen” women’, identifying with those whose bodies were subject to abuse by men, the men who had forced them on to the streets in the first place and/or abused them whilst they were there, and the doctors who enforced surgical treatments to control them.
Helen Mathers vividly describes how Josephine’s own desolate sense of loss after the death of one of her children drove her to ‘find some pain keener than my own’. She wasn’t some pious do-gooder, despising the very people she set out to help – from the start she risked her reputation, her dignity, her health and her personal safety by going into the workhouse, sitting on the floor of the oakum shed with the women and girls who worked there (prisoners, or workhouse inmates) and talking to them, alone with them.
Her faith was integral to her campaign, and her marriage was essential to it. In many ways, George Butler was as remarkable as Josephine. He must have been dismayed, surely, by her campaigning, by the effects of her work on their sons, by the cost to her health, and the damage to his own career of having such a notorious wife. But he stood by her, supported her unshakably and she could not have done what she did without him.
If she were with us now, what would she be doing? She would be in Rotherham, and Rochdale, where vulnerable young girls have been abused on an unthinkable scale and ‘the authorities’ have turned blind eyes. She would be working with refugee organisations to help protect young women who arrive here after terrible trauma and find themselves destitute, or threatened with removal to the country where they were subjected to violence. She would be campaigning against trafficking and sex tourism. Wherever the struggle is, she would be there.
I wondered what Josephine herself might have wished for as a memorial to her achievements. A University College would certainly please her, and a day of Anglican prayer. She would be happy that the Josephine Butler Society continues to campaign on the issues closest to her heart. Would she want to be commemorated on a bank-note? Would she want a statue? Perhaps not, who knows. But for us, who have inherited the world that she fought for, but who see around us daily the evidence that her victories were not absolute, and that the fight must continue, it would be good to see reminders of her in Liverpool, perhaps, where her work really began. And if that prompted people to ask, who was Josephine Butler, and what did she do, then this book will provide the answers.
It’s a profoundly moving story, astonishing and inspiring. We can despair that the evils Josephine Butler poured all of her energies into fighting are still with us, or we can hope that there are and always will be people who will take up those battles on behalf of the most vulnerable, the excluded, the despised. As a humanist, I believe passionately that this is so, that knowing that this life is all we have makes what we do with it matter more, not less, that it can make us kinder, and braver. Josephine Butler was no humanist, believing that both the struggle and her strength to pursue it came from God, and in her honour I will, just this once, conclude with a prayer:
God of compassion and love,
by whose grace your servant Josephine Butler
followed in the way of your Son
in caring for those in need:
help us like her to work with strength
for the restoration of all to the dignity
and freedom of those created in your image;
through Jesus Christ our Saviour,
who is alive and reigns with you,
in the unity of the Holy Spirit,
one God, now and for ever.
Patron Saint of Prostitutes: Josephine Butler and a Victorian Scandal by Helen Mathers was published by The History Press on 11 August, 2014. ISBN: 9780752492094 It is currently available from all UK booksellers and will be published in the USA in November.
A Kindle edition is available from Amazon. Order a Kindle edition
Signed copies are available from the author at:
£11.50 + postage. Email firstname.lastname@example.org.
In future my blogging energies will be shared between this site and Doctor Her, a new blog about all things Doctor Who, from a feminist perspective. Given my previous post in defence of fantasy, this might not be too much of a surprise. But I’m very well aware that to declare one’s love for Doctor Who, or Buffy, is to be dismissed with a contemptuous curl of the lip by some. Their loss, clearly. I have strong views about what’s worth reading, watching or listening to, increasingly so as I grow older and realise that I really may not have time to read/watch/listen to all the great stuff that’s out there, so I really don’t want to waste time on the merely OK, let alone the poor. But my criteria don’t include genre categories – I may have a preference in televisual terms for fantasy rather than costume drama but I’ll only watch something if it’s written intelligently, if it has some emotional truth and weight to it, whatever category it’s in. And that, most decidedly, includes Doctor Who.
We go back a long way, the Doctor and me. Back to the mid-sixties, when he was a cosmic recorder-playing hobo. I followed him as he regenerated, and whilst I did love some Doctors more than others, I never gave up on him altogether. The BBC pretty much did though, and I wasn’t expecting the reboot at all, let alone expecting it to be – the odd clunky episode notwithstanding – a return to the quality of the very best era (Four, need you ask?).
As a kid, of course, I hid behind the sofa (metaphorically, I don’t recall literally doing so) and the limited budgets (the quarry which doubled for every alien planet ever visited, the visible zips on the monster costumes) didn’t make it less scary. But it was always about more than scaring the kids, it was about ideas. The first series had an overt educational mission, both historical and scientific, which has become less evident over the years. But what has been constant is the real heart of speculative fiction, exploring what it is, what it could be to be human.
The reboot of Who, for me, has succeeded marvellously in that arena. It’s explored love, loyalty, loss and longing. It’s made me laugh, and its made me cry. A lot. It’s made me think, it’s prompted vigorous debates, on and off line, wild divergences of opinion amongst fans. And I’m really excited about a forum where I can share and explore these things in the context of what it is, what it could be, to be a woman.