On 25/6 September 1940 a man took his own life in a hotel in Portbou, Catalonia. He was 48 years old. He was a writer, an intellectual, whose work, cut terribly short as it was, is still hugely influential. He was Jewish, and had crossed the border from France, having escaped Paris ahead of the German army. He’d just heard that all transit visas had been cancelled, and that he and his fellow-travellers would be forced to return to France.
The UNHCR’s campaign for World Refugee Day focused on the ‘choice’ faced by refugees – to stay or to go, either one fraught with danger. Walter Benjamin – and many others – took a third option. He had contemplated suicide before, seeing Adolf Hitler’s rise to power. He’d recently been interned in France as a stateless person, and knew already that the Gestapo had instructions to arrest him.
His choice is made bitter by our knowledge that his travelling companion, Arthur Koestler, took morphine tablets too, but survived and escaped, and that the embargo on visas was lifted a few weeks later. As Hannah Arendt says in her introduction to Illuminations, ‘only on that particular day was the catastrophe possible’ (p. 18).
It’s also bitter because, if the scope of his influence on the humanities is so great on the basis of the work he published in his short lifetime, it could have been so much more had he lived. In the words of his friend Gershom Scholem, his ‘genius united the insight of the Metaphysician, the interpretative power of the Critic, and the erudition of the Scholar’. (Reflections, vii). Anyone interested in the city, in maps and labyrinths, in Baudelaire, Kafka or Proust, in text and translation, history and memory, will encounter Benjamin.
Walter Benjamin stands, in this context, for our loss, the loss of those who didn’t escape, and particularly those – notable and anonymous – who chose this third way. On the memorial to Benjamin in Portbou these words are inscribed: IT IS MORE ARDUOUS TO HONOUR THE MEMORY OF THE NAMELESS THAN THAT OF THE RENOWNED. HISTORICAL CONSTRUCTION IS DEVOTED TO THE MEMORY OF THE NAMELESS.
http://www.guardian.co.uk/books/2012/apr/27/hero-walter-benjamin-elif-shafak
http://www.haaretz.com/weekend/magazine/philosophy-awakenings-1.404599
Walter Benjamin, Illuminations: Essays and Reflections, preface by Leon Wieseltier, Introduction by Hannah Arendt (NY: Schocken Books, 2007)
— Reflections: Essays, Aphorisms, Autobiographical Writings, preface by Leon Wieseltier, Introduction by Peter Demetz (NY: Schocken Books, 2007)
#1 by decayetude on June 23, 2012 - 4:58 pm
That is very moving, Cath; i like the Benjamin i have read, though it has not got Sebald’s glow and transparency. I have the massive “Arcades project”: I love the idea of the flaneur, in conventional sense of wandering around cities(picking up and somehow reclaiming bits of quirky ex-capitalist detritus/remnants) and in sense of the book being a kind of LITERARY peregrination round his own mental library(it is mainly quotations from authors he liked);and is sadly incomplete. Have u got/read (any of ) this? i want to read more of Frankfurt School(of which B, of course, was a loose member): i think Adorno and Benjamin predated and were the catalysts for a lot of deconstructionist ideas and were also politicaly important in the sense of 1. Adorno saying we neeed “negative dialectics ” to stop still and think where to go next after Facism and, later, comand economy Communism; which is equally relevant today with capitalist economies in Europe on the brink; and B. with his interregnum”; same thing really, where we have pause for though-what next; how to collectivise sans ideology. Coincidentally, just been to local social activist centre-smallscale but a start and we are thinking of having our gay group meetings there sometimes; but tho i was once a lesbian and gay political activist, my health no longer supports this and i see myself now as a lgbt/queer literary activist:), tho of course outing oneself as a gay person is , in itself ALWAYS a political act!So, Frankfurt School, Derrida etc, Queer theory they are all linked: i think i did a (vague!) post in blog on this.And Adorno writes exquisitely re Beethoven, tho so densely lol. Keep up the good work, when u got time:)Steve Benson. i forgot to say thanks for including my blog in ur list; i tried to include yours in mine , but it wouldnt link up(:
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