Posts Tagged Ghana

Dad

John Hallett, 26 December 1927 – 30 March 2025

Trying to sum up anyone’s 97 years of life in a not unreadably long blog post is a challenge. In the case of my Dad, John Hallett, who died on 30 March, it’s impossible. As a friend put it, at the celebration we held for his life, he packed at least two lifetimes into those 97 years. And each time I talk or write about him, someone reminds me of some other project, activity or passion that I’d forgotten, or never even known about. He set the bar very high for us all – whatever I’ve achieved in my life seems small beer in comparison – and he wasn’t always very good at telling us how proud he was of us (this was a generational thing, and certainly learned from his parents), though we know he said it to others. My niece had the poignant experience of hearing her grandad, who no longer recognised her, telling her about his lovely granddaughter and great-grandson and how proud he was of them. Most importantly, we knew, always, that we were loved, and that our parents’ love was not conditional upon us achieving things, and that gave us the freedom to be who we wanted to be, who we were meant to be.

John’s early life was pretty conventional – his father was a civil servant who’d fought in the first war, and was an active member of the Home Guard in the second. They lived in Thornton Heath, where Dad was born in 1927, and then moved to North Harrow with his two younger siblings. As a young teenager during the War, he enjoyed the excitement of spotting aircraft and watching the searchlights to cheer as German planes were shot down, until one of his schoolfriends was killed along with their family during the Blitz – a sobering experience. This did not, however, dampen his enthusiasm for aircraft, and the first stage of his career was in aircraft design.

John took up an apprenticeship at de Havillands, leaving school against the wishes of his father, who had wanted his eldest son to follow him into a stable career in the civil service, and he stayed there for four years after the apprenticeship, working in the Design Office.

He left de Havillands because, as a Christian pacifist, he could not countenance working on military projects, and he had begun to think of a future as a teacher, inspired by people he knew and admired. He trained at Westminster College, and then took up his first teaching post at Chatham Technical College (teaching technical drawing, maths, and RE). By then he was married to Cecily, who was to be his strength and his stay until her death in 1995. They’d known each other for a long time, through church, but only gradually came to realise that their friendship was blossoming into love. They lived at 24 Blaker Avenue, in Rochester, Kent. I was born in a Chatham hospital in 1957, Aidan and Claire were born at home in 1958 and 1960 respectively.

The faith that he and Cecily shared was fundamental to their lives, and whilst I do not share their faith, I do share so many of their values, their political beliefs and their approach to what is important about life. They were pacifists, members of the Fellowship of Reconciliation. They were passionately anti-apartheid (many of their ‘expatriate’ colleagues in West Africa at least considered moving on to South Africa or Rhodesia when Nigeria imploded into civil war, but that idea was anathema to them). I learned from a very early age about the slave trade, visiting forts along the Ghanaian coast where slaves had been held before being transported across the Atlantic, and was aware of civil rights struggles in the US and anti-apartheid activism in South Africa and Rhodesia – political issues of the day were a staple of discussion around the dining table each evening. They were socialists, staunch Labour voters. And they were concerned about the environment long before it was the norm.

They both became interested in the idea of working in West Africa, in one of the newly independent nations, but realised that John would need a University degree to teach there. So he did A levels at a local technical college and then enrolled at City University in London, on a scheme designed for those who had been unable to study to degree level during the war years, and obtained a First in Physics and Maths. John was studying part-time alongside his teaching post, whilst Cecily managed the home in Rochester, and brought up the children. John’s father Dennis, a deeply conservative man, never came to terms with the plan to work in West Africa (or ‘darkest Africa’, as he consistently called it), and when we returned home on leave, John had to wait until his father had left the room before talking to his mother about our experiences there.

The family flew out to Ghana in 1960 (with three children, of whom I am the eldest, then aged 3), and a new home on Asuogya Road, on the campus of Kwame Nkrumah University of Science & Technology in Kumasi. Their fourth child, Greg, was born in Kumasi in 1962. John hadn’t had a conventional route to University teaching, and used to comment that he’d arrived as a lecturer having never attended University before – he also often felt that he was only one lecture ahead of his students.

Both John and Cecily became involved in the life of the University, particularly in chamber music concerts. Cecily was an accomplished pianist, and Arthur Humphrey, a colleague, friend and honorary grandparent, played the spinet and recorders. They also held more informal musical evenings, which John’s colleagues and students from the University regularly attended. John preached regularly (both he and Cecily were Methodist lay preachers) at small village churches outside Kumasi, one of which presented (and robed) him in a splendid kente cloth on his last visit. We still have the cloth, somewhat faded and a little damaged after all these years, but still a beautiful reminder of the life we had in Ghana.

He taught Physics and Maths at KNUST but became increasingly interested in pedagogy, rather than in the research aspect of his subjects (despite pressure from his Head of Department – he resisted the idea of, as he put it, knowing more and more about less and less), and was an examiner for the West African Exam Council, and Chief Examiner for O level (the latter involved him designing practical tests which could be carried out in any school, and visiting schools to assess whether they had the necessary apparatus). He was involved with the Ghana Association of Science Teachers, and wrote a Physics O level textbook tailored to the resources available in West African schools and to the experiences of the students, which remained in print for many years.

This growing interest in education per se led him to take up a post at Ahmadu Bello University in Zaria, Northern Nigeria and the family moved there in January 1966. I don’t recall the first part of our journey (by sea from Tema to Lagos) but vividly remember the 600 mile train ride from Lagos to Zaria. The timing of our move turned out to be most inauspicious, as a series of coups and counter-coups rocked the region, and massacres of Igbo people took place in May and September of that year in the area where we lived. We were not in danger at this stage – the violence was very precisely targeted at Igbo people – but of course it was traumatic for the adults to witness what was happening, often to people they knew, and they kept as much of this from us as possible.

The only incident that I recall was when a group of men approached our house, and Cecily and a neighbour took all of the children upstairs and put a record of children’s songs on, whilst John and the neighbour’s husband went outside to speak to them. Strangely, in my memory the men were carrying sticks, but in reality, as I discovered much later, they had machetes. They turned away from our house, but went on to kill a number of people nearby.

I remember being aware of conversations between the adults that stopped abruptly when they realised I was within earshot, but it was not until my teenage years when I pieced together the fragments to understand what had been happening, and this was formative. There is one particularly powerful story that I discovered from talking to my parents and visitors who had been in Nigeria with us. Opposite our house was an unoccupied bungalow, in which we used to play sometimes. I recall being forbidden to do so – snakes were mentioned and I needed no other deterrent. In reality, John had discovered a couple of young Igbo men hiding there. He got them into the family car, covered in blankets, and drove them to the army base, where it was hoped they would be safe. Meanwhile a friend who worked for the railways commandeered a train to take Igbo refugees south to safety, and these two young men joined that group. Tragically, the train was deliberately derailed, and they and others who were fleeing the pogroms were murdered. On both of these occasions, John felt that he had to at least try to intervene. I have often wondered how he felt as he approached the armed men outside our house, and how Cecily felt, knowing what he was doing. And how he felt as he drove those young men to what he hoped might be sanctuary, knowing that if the car was stopped and searched, they would be killed, and he might be in danger too. I don’t know, because he never spoke of these events in personal terms. I believe he felt that he had no choice but to act as he did, whatever the risk.

As I learned about these events, which had happened around me, without my knowledge or understanding, I found I needed to understand the wider issues, and this lead me to read widely about Partition, the Holocaust and the Rwandan genocide.

The family returned home on leave in the summer of 1967, but the worsening situation meant that Cecily and the children could not return, and John travelled back to Zaria alone, to complete his contract, returning to the UK in Easter 1968. We did visit him at Christmas, a rather nervy visit given the volatility of the situation and the presence of armed (but barely trained) soldiers around the city.

Someone once asked me if I blamed my parents for taking us to West Africa, a question that utterly baffled me. On the contrary, I’m in awe of their courage in taking that step, and very grateful for it too. We gained so much – on our return to the UK our horizons were so much wider than those of our contemporaries, and whilst that meant we had a lot of catching up to do on popular culture and so on, it gave us a different perspective, and I think a more generous one. Certainly those years – and the culture of talking about politics and ethics and religion in our home – informed each of us in our developing views about all of those things as we grew older. We would not be the people we are, had our childhood been spent in England.

Cecily and the children were living in the family house in Rochester, and places were found for us at the local primary schools, but on John’s return he took up a post in the Education department at Trent Polytechnic, where he would remain until his retirement. He and I found a temporary home with one of his old friends (a fellow member of the ‘Brew Club’ at Westminster College), so that he could start at Trent, and I could start at Queen Elizabeth’s Girls’ Grammar School in Mansfield. The rest of the family moved up to Nottinghamshire once our new home in Ravenshead was completed.

Whilst at Trent, John was involved in innovative initiatives such as the generalist Education degree and the Anglesey project, worked with VSO to train volunteers for their overseas service, and also took up every opportunity to travel with the British Council or under the auspices of the Polytechnic to visit schools and educational projects in Nepal, Kenya, and the USA. In addition, John was very concerned with the environment, and published, with Brian Harvey, an economist, a well-received textbook on Environment and Society in 1977.

He retired (by then he was Head of the Education Department) in 1987, aged 60, but rather than leading a quieter life, he had a vision for a charity, Senior Volunteer Network, which would put retired teachers/head teachers and other education specialists into projects worldwide, and began to turn this into a reality.

He and Cecily made the most of the freedoms of his retirement (she had retired from primary school teaching some years previously). They both became involved in leadership of the Ravenshead Christian fellowship, which later became Ashwood Church (now based in Kirkby in Ashfield). In the early days of the Fellowship, we met in members’ homes or in the Village Hall. John and Cecily held open house on Sunday afternoons for young people in the village (50 years on, people still talk about how the house was full, every seat taken, and every window ledge and the stairs too) – their home in Ravenshead was called Akwaaba, which in the Twi language spoken in the part of Ghana where we had lived, means ‘welcome’. Part of our parents’ joint legacy to us is the idea of family as an open, welcoming place that embraces new members, whether related by blood, law or none of the above. In West Africa we were a long way from our aunts, uncles and grandparents, and so we accumulated a number of aunts and uncles, friends of my parents who visited regularly, and who I still think of as ‘Aunty Betty’ (with whom I still exchange Christmas cards), ‘Uncle Arthur’, or ‘Uncle Rex’. And in Ravenshead that took the form of opening our doors to random teenagers, some of whom became part of the church (and still are), others who never did, but had reason to be grateful for our parents’ warmth and support, as well as for the Sunday afternoon tea.

As keen walkers, John and Cecily led youth hostelling expeditions to the Lake District, one of which memorably involved Cecily’s group of walkers requiring the Mountain Rescue Service, after getting lost on Great Gable in driving rain and mist. John’s group had taken what was expected to be the more challenging route, only to find when they got to the hostel that we had not yet arrived. They called at the Mountain Rescue centre, at roughly the time that two of Cecily’s party arrived, having been sent out as envoys whilst we huddled behind a rock for (minimal) shelter, and gave their account to the team, enabling them to find their way straight to us.

John was a governor at a number of local schools, volunteered with Mansfield Samaritans (Cecily was a founder member of this branch), and was involved in local politics. He ran regularly, and completed the London Marathon, aged 63, in 1990 – he’d been a keen runner as a young man (plenty of stamina, less speed, due to his short stature), which had taken its toll on his knees and he had to have two knee replacements later in life. He undertook many walks with Cecily (and their dog, Corrie) after his retirement, including the Coast to Coast Walk, and along the Northumbrian coast. Having visited Nepal during his work with Trent Polytechnic, he returned to Everest to climb as far as the snow line, fulfilling his dream to stand on its slopes.

In 1995 Cecily died of pancreatic cancer, aged 65, only a matter of weeks after the diagnosis. It was a huge shock, and an incalculable loss to John and to the family – and to so many more people, as we all discovered from the messages that flooded in after her death. She saw herself as an accompanist – in musical terms this means that she wasn’t there to do the virtuoso solo stuff, but to enhance the performance of other musicians – but she did far more than that, and could have done so much more (at the time of her death she was gaining qualifications in counselling, and working with a Nottingham homeless charity). At the events celebrating Dad’s life, so many people talked not just about John but about ‘John and Cec’. They had different, and complementary strengths, they were a partnership in every sense, and their legacy is a shared one, for us and for the many other people with whom they worked and worshipped.

When Cecily died, SVN was still an idea rather than a reality, and in the aftermath he threw himself into setting up and leading the network, sending volunteers around the world, and travelling himself until his eyesight began to fail due to macular degeneration. SVN still thrives, and the family still has links with it, through Claire who is now a trustee.

John remained active until his 90s, undertaking a skydive to celebrate his 90th birthday, but his sight loss was by then significantly restricting his activities as he could no longer drive, or use the computer. The pandemic shrank his horizons significantly, particularly since he could not easily compensate for the loss of face-to-face social activity with on-line due to his deteriorating sight. In 2020, just before the first lockdown, his youngest son Greg died of bowel cancer, a desperately heavy blow. The death of my husband Martyn in 2021 was also a major shock to him. In 2022 he was formally diagnosed with Alzheimer’s disease and the decline from that point on was fairly rapid. He was cared for at home by Claire until he needed residential care, and moved into Lound Hall Care Home, near Retford, in 2023.  

During those last years, as the fog engulfed him and he became more dependent on others, it was sometimes hard to remember the man he had been. He was a man of bold decisions – leaving school to work at de Havillands, against his father’s wishes, leaving de Havillands on a matter of principle, training as a teacher and undertaking a part-time degree whilst working, taking his young family to West Africa (again, a decision of which his father profoundly disapproved), and then changing direction again to focus on education, and finally setting up SVN in his retirement and travelling to often remote and dangerous places to work on educational projects. He was a leader, from his days as a Cub and Scout where he progressed from ‘Sixer’ to Assistant Scout Master, to his final post as Head of the Education Department at Trent and his role in the church. We all remember family walking holidays when Dad would lead the way so confidently that we all had to rush to keep up, as he was the one with the maps and the refreshments… At the care home, he often, when we visited in the early days, told us that he was there to conduct a review or an investigation, or that we were all at a conference that he had organised. That lifetime of leadership kept a hold even when so much else had been lost.

He had, from a young age, a sense of purpose, and one of his frustrations as his eyesight began to fail was that so many projects – travel abroad, or even ambitious UK walks like the ones that he and Cecily had done years before – were no longer practical or safe. For a while, writing his memoirs became his purpose, although in the final stages of the project dementia had begun to rob him not only of his memories but of understanding, and so I edited the document and arranged publication so that a copy could be placed into his hands whilst he could still recognise it as The Book, his own work.

John was fascinated by the natural world, greatly enjoying finding out about the flora and fauna – particularly the birds – of the parts of West Africa where we lived, and David Attenborough’s documentaries were a source of pleasure and interest in his last years. He read widely, and not only for professional purposes, and turned to audio-books after his sight loss, through which he enjoyed re-‘reading’ Dickens, Trollope, le Carré, Graham Greene and others, as well as discovering new writers (he was particularly enthralled by The Book Thief). He greatly admired the work of C P Snow, a scientist as well as a writer, who explored the idea of the two cultures, science and the arts (Snow’s novels were sadly not available in audio form). He loved music – as a young man he listened to jazz (New Orleans, and Django Reinhardt, not swing, as he told me firmly), but then was converted wholeheartedly to classical music after hearing Bach’s Brandenburg Concertos. Even in the very last stages of his illness he seemed to find calm in listening to Bach and Mozart in particular.

Just over a year ago, I wrote about Dad’s dementia, and specifically about Dad’s ‘raging against the loss of dignity, the loss of control over where he is and what happens to him, against the loss – even if he can no longer articulate it – of the things that made him him, against the slow dying of the light.’ And I expressed our heartfelt wish that his last days should not be spent ‘burning and raving at close of day’. In the end, at the very end, he did ‘go gentle into that good night’, with staff from his wonderful care home taking turns to sit through the night with him. We’re grateful for that, and that we each had the chance to say goodbye, to kiss him on his forehead and tell him that we loved him.

John is survived by his children Catherine, Aidan and Claire (youngest son Greg died of cancer in 2020), daughters-in-law Julie and Ruth, grandchildren Matthew, Arthur, Jordan, Melanie, Vivien and Dominic, step-grandson Tom, and great-grandchildren Jackson, Jesse and Eliza. He will be remembered with love by all of us.

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Books of the Year 2017

These are the books that have made the most impression upon me, that have made me want to read everything by that author, tweet madly about how wonderful they are and press copies upon everyone I know, during 2017.  Many, but not all, appeared during 2016/17.

Earlier this year I undertook a challenge, to read 60 books in 60 days.  Reader, I nailed it.  I also blogged extensively about the books I read and I don’t intend to duplicate those reviews here, though I will list the books that make my ‘best of’ list which were part of that project.  Quite a few, actually.

One of the first books I read in 2017 was Clive James’ Cultural Amnesia. I commented at the time that this was likely to end up being one of my books of the year, and nothing has displaced it.  He made me feel incredibly un-well-read, but without making me feel stupid, rather, inspired to go away and read the stuff he was talking about.  It’s truly wide-ranging – people he loathes as well as people he admires, acerbically funny, which is not always easy to pull off whilst being erudite, and it’s a book that I will go back to again and again for enlightenment, for brilliantly pithy comments, and for the impetus to read stuff that I haven’t yet braved.

clive james

As always, I found myself reading around various aspects of World War II.

Anne Sebba’s Les Parisiennes: how the women of Paris lived, loved and died in the 1940s (2016) is a fascinating account, featuring collaborators and resisters and everyone in between, drawing on some sources that I was familiar with but many more that I wasn’t, and weaving them all into a rich tapestry which shows how life in Occupied Paris was both normal and entirely abnormal at the same time, depending on who and where you were.  I thought often of Michel Butor’s comment, speaking of his own adolescence in the city, that it felt as though nothing was happening but that the nothing was bloody.

sebba

Lara Feigel’s The Bitter Taste of Victory: in the ruins of the Reich (2016) again draws upon contemporary sources (with particular, but not exclusive, emphasis on some of the women writers, reporters and artists – Martha Gellhorn, Rebecca West, Lee Miller, Erika Mann) to paint a vivid picture of the devastation of Berlin and other German cities after the end of the War, and during the Nuremberg trials.  I followed this up with Rebecca West’s near-contemporary first-hand account, A Train of Powder (1955).  Philippe Sands’ East West Street (2016) covered this period too, but from the perspective of those who were developing the definitions of genocide and crimes against humanity which were so crucial to the judgments at Nuremberg and to our response to such crimes in the decades that followed.  What makes his account particularly powerful is that he weaves his own family history into that of the architects of the legislation.  He makes the connection with his grandfather’s home in Lemberg (aka Lwów or L’viv) which was also where Lauterpacht and Lemberg, the two Jewish lawyers who were so instrumental in giving us the legal framework, grew up and were educated – and who are Sands’ own antecedents too, in his life as an international human rights lawyer. Adding to this coincidence, I found myself reading in quick succession two other family histories, that of Eva Hoffman, born in Cracow at the end of the war but whose parents survived the war in the Ukraine, near Lwów (aka L’viv or Lemberg), emigrating post-war from Poland to Vancouver (Lost in Translation: Life in a New Language), and then that of Lisa Appignanesi (Losing the Dead: A Family Memoir), an account of how her parents passed for Aryan in occupied Poland before relocating to Quebec.

Still in WWII but behind the Eastern Front, Nobel Laureate Svetlana Alexievich’s extraordinary oral history, The Unwomanly Face of War (2017) lets us hear the voices of the women who fought in the Red Army. Rather than the stereotypes perpetuated by Soviet propaganda or the opposing Western propaganda, we meet real women who did extraordinary things, who confronted not only opposing armies but prejudice from their comrades in arms and commanding officers, and from their families at home. And personal conflicts too – these often very young women fell in love, and mourned the loss of their femininity, and feared whether they would find husbands when the fighting was done.  Alexievich’s book first came out in 1985 but has been expanded to bring in more recent interviews, and material from earlier interviews which could not be published previously.

alexievich

And another remarkable and compelling history from David Olusoga – Black & British: a forgotten history (2016).  Alongside bits of history that I was familiar with there’s so much that was new, and ran counter to assumptions that I might have previously made.  It also brought back some very early childhood memories, of visits to the forts on the Ghanaian coast, places where slaves were held before they were loaded into the ships to cross the Atlantic.

I also thoroughly enjoyed Robert Webb’s How not to be a Boy, clearly a response to Caitlin Moran’s wonderful How to be a Woman/How to Build a Girl.   It is extremely funny, and – as with Moran’s books – often very moving as well.

webb boy

Other outstanding non-fiction titles which were part of my 60 books challenge: Aminatta Forna – The Devil that Danced on the Water: A Daughter’s Quest (2003); Noo Saro-wiwa – Looking for Transwonderland: Travels in Nigeria (2012); David Grann – Killers of the Flower Moon: The Osage Murders and the Birth of the FBI (2017).  

When it comes to fiction I resent categorisations by genre, which always somehow end up marking some things as ‘literature’ and others as ‘crime’ or whatever.  However, given the sheer number of crime/thriller/detective novels that I read, it makes sense to group them together.

New discoveries this year include Ben Aaronovitch’s somewhat bonkers urban fantasy detective novel,  Rivers of London (2011).  This is the start of a series, which I have yet to follow up.

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I came across Helen Cadbury’s Sean Denton police procedurals, To Catch a Rabbit (2013) and Bones in the Nest (2015) set in South Yorkshire, gritty and gripping.  I’d only just read them when I heard that she’d died,  an awful loss.  There’s one more Sean Denton novel just out, which I haven’t read yet.

 

I’ve been binging on various series featuring women detectives and as a result I’ve run out of  several of my current favourites:  Jane Casey’s Maeve Kerrigan (Let the Dead Speak, 2017), Susie Steiner’s Manon Bradshaw (latest one is Persons Unknown, 2017),  Sarah Hilary’s Marnie Rome (Quieter than Killing, 2017), and Valentina Giambanco’s Alice Madison (Sweet after Death, 2017). They all feature central women characters who are complicated and interesting, tight plotting, intriguing peripheral characters, and an overall plot arc which, whilst it doesn’t prevent each novel from being freestanding, gives a depth to the series if you read them consecutively.

Fortunately, whilst I wait for Casey, Steiner, Giambanco and Hilary to come up with new titles (no pressure, but do hurry up!), I’ve got lots to read by Elly Griffiths, whose The Crossing Places (2009) and The Janus Stone (2010) features not a woman cop but a forensic archaeologist, Ruth Galloway.  I’m looking forward to the rest of this series.

Noah Hawley was new to me as a novelist, but I’d loved his writing for three TV series of Fargo, full of wit and heart and surprises.  His 2016 novel, Before the Fall lived up to the expectations that Fargo had raised.  It’s a thriller, about truth and lies, fame and reality.

hawley

And a writer new to me but channelling (very convincingly) one of my all-time favourite detective novelists, Dorothy L Sayers.  Four new Lord Peter Wimsey stories from Jill Paton Walsh, a delightful chance to reacquaint myself with Peter and Harriet and Bunter and (oh joy!) the Dowager Duchess, and to see them in the context of world events and radical changes in society.  (Thrones, Dominations (1998)/A Presumption of Death (2002)/The Attenbury Emeralds (2010)/The Late Scholar (2013))

paton walsh

And some fantastic 2017 titles which were part of my 60 books challenge: Sam Bourne – To Kill the PresidentJo Furniss – All the Little ChildrenLesley GlaisterThe Squeeze , Jane Harper – The Dry .

Another terribly sad loss this year was that of Helen Dunmore.  I’ve read most of her work over the years, this year alone I read three (The Lie (2014)/Exposure (2016)/The Betrayal (2010)).  I’m grateful for all the pleasure her books have given me, and that there are a few more for me to look forward to reading, including her final novel, Birdcage Walk.

This was the year I finally finished a ten-year project – to read all of Proust.  In French.  Le Temps retrouvé bit the dust in April, and I blogged about it here. 

temps retrouve

Prompted by my University of Sheffield Book Group, I read Harper Lee’s Go Set a Watchman (2015).

US_cover_of_Go_Set_a_Watchman

I suspect I’m not the only person with a deep fondness for To Kill a Mockingbird, and a tendency to idolise Atticus Finch, who’d kind of been putting this off, having read some of the reviews (and the controversy about whether Lee genuinely wanted this to be published and/or had the capacity to  make that decision).  I’m glad I did read it, but it’s complicated, and I will be pondering more about this separately, because reading it sent me off on so many different trains of thought.

And finally, after reading another alt. US history (Philip Roth’s The Plot against America) I got round to Sinclair Lewis’s account of a demagogue, ‘vulgar, almost illiterate, a public liar easily detected, and in his “ideas” almost idiotic’, who wins the Democratic presidential nomination and then the Presidency.  He wins support despite the vulgarity and the lies and the lack of content in his speeches by addressing the people as if ‘he was telling them the truths, the imperious and dangerous facts, that had been hidden from them.’  And he attacks the Press in very familiar terms:

I know the Press only too well.  Almost all editors hide away . . . plotting how they can put over their lies, and advance their own positions and fill their greedy pocketbooks by calumniating Statesmen who have given their all for the common good.

It is impossible to read It Can’t Happen Here (1935) without seeing the current incumbent of the White House in the place of Buzz Windrip.  In the run-up to his election, the Guardian analysed the similarities, and the Washington Post compared Trump not only to Windrip but to Philip Roth’s Charles Lindbergh.  We are forewarned.

As part of the 60 books challenge, I read more from long-term favourite writers Stevie Davies (Awakening, 2013), Patrick Gale (The Whole Day Through, 2009), Rose Tremain (The Gustav Sonata, 2016) and Livi Michael (Succession, 2014). I’ve already followed up Livi Michael’s excellent Wars of the Roses historical novel with the rest of the trilogy (Rebellion, and Accession).  I finally read The Handmaid’s Tale and The Garden of the Finzi Continis.  I discovered new writers: Sarah Moss, Nii Ayikwei Parkes, Per Petterson, and Andrew Michael Hurley,  amongst others.

This represents only a fraction of what I’ve read in 2017. The 60 books are fully documented, and outside of that project I’ve tried to keep a note as I go along, but I know I’ve forgotten some things (maybe justly, maybe not).  And of course this list represents the best of what I’ve read, the stuff that, as I said earlier, I’ve been evangelical about getting other people to read, and have followed up or plan to follow up with more by the same writer.  I have a policy of not mentioning the books I’ve read (completed or abandoned) which I’ve found tedious, or badly written, or just profoundly mediocre (although if I found something I was reading to be pernicious, dangerous, defamatory or whatever, I reserve the right to make a noise about that).  Generally, though, let other pens dwell on clunky dialogue, cardboard characters and so forth – the world is full of books that give pleasure and enlightenment, that inform and move and delight, and I’d rather talk about them.

Meantime, my ‘to read’ pile never seems to diminish, no matter how much and how fast I read.  Priorities include finishing Anthony Beevor’s magisterial The Battle for Spain, which I put to one side during my 60 books challenge, and have not yet resumed, and others which I have still to acquire, Coulson Whitehead’s The Underground Railroad, Jon McGregor’s Reservoir 13, Maggie O’Farrell’s memoir, I am, I am, I am (as well as any of her novels I haven’t read yet), and lots more Ali Smith.  Right, better get back to the books…

 

 

60 Books in 60 Days: Reading Challenge, days 1-14

60 Books in 60 Days: Reading Challenge, days 15-28

60 Books in 60 Days: Reading Challenge, days 29-42

60 Books in 60 Days: Reading Challenge, days 43-56

60 Books in 60 Days: Reading Challenge Completed

 

 

 

 

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Musing on The Nine Muses: some first thoughts on John Akomfrah’s film

It will take more than one viewing to do justice to John Akomfrah’s The Nine Muses, time to mull over the images, the words, the sounds.  But some preliminary thoughts are in order.

I first heard about this film when it featured in Sheffield’s DocFest programme last year, but didn’t manage to see it, and have been looking out for it ever since.  So much about that brief blurb rang bells for me. John Akomfrah himself is a Ghanaian, born in 1957, so the same age as Ghana (and as me).   The theme, migration, is one that fascinates me, and in particular the response of my home country to the people who’ve arrived on its doorstep from all over the world, those who’ve been invited, those who’ve come here in hope, those who’ve come here in desperation.   And I love the idea of exploring this through words, sounds and images drawn from sources as diverse as those people.

John Akomfrah's The Nine Muses

The images are powerful and beautiful, whether they are of wintry Alaskan landscapes (‘a cold coming they had of it’) or of Ugandan Asians stepping off the plane, of solitary anonymous figures dressed in primary colours against the whites and greys of winter, or in black against the urban industrial or dockland settings.  The words, though often familiar (from Dante, Shakespeare, the Bible, Homer) are thrown into an unfamiliar light by being set against these images, and against the soundtrack which blends industrial sounds with music from Purcell to Part to Bollywood soundtracks.  This intertextuality and interweaving creates ambiguities, jarring juxtapositions and unexpected contextualisations.   As the Guardian review commented,

it suggests that stories normally seen through the lens of postcolonialism could just as easily be seen in existential or mythic terms. In doing so, it invites viewers to reflect on the labels by which history – especially diasporic history – is framed and categorised.”It’s important to read images in the archive for their ambiguity and open-endedness,” Akomfrah argues.

John Akomfrah

John Akomfrah says (in an interview with Sound and Music):

I am obsessed with archival material: those ghostly traces of lived moments, those pariah images and sounds that now occupy a unique space somewhere between history and myth… How does one begin to say something new about a story everyone claims to know? … what considerations should govern how one constructs a “historical fiction” about events and lives that have been profoundly shaped by what the St Lucian poet Derek Walcott called, “the absence of ruins”? Lives without monuments, without the ‘official’ signature of recognition and interest.  This film is my attempt to suggest what some of those “ruins” might look like, a desire to look into that dark mirror of one’s own past in search of images, ideas, writers and music with which to construct such a monument.

I thought often whilst watching the shots from the 60s of an earlier migrant, Horace Buck, from Michel Butor’s Passing Time.  Horace is an African in Bleston (Manchester) in the early 50s, isolated from what would seem to be his fellows because they are mostly from Sierra Leone, and he is not (we do not find out where, his story starts as he arrives in England, just as that of his French counterpart does).  Horace and Jacques are drawn together because both are isolated exiles, and Horace’s bitter, sardonic, smoky laugh punctuates the narrative, as he introduces Jacques to the bars and arcades that he frequents, where his money is welcome but he is not.   He is a generous man, insistent on offering Jacques his hospitality, and even securing lodgings for him, but his generosity and dignity are constantly met with rebuffs.  The landlady he finds for Jacques can’t know that he was involved as she regards all of his kind as ‘black devils’.  Jacques’ friends are at best uneasy and at worst openly horrified at their association.   Horace finds solace in the arms of a succession of English girls and in the music of his harmonica, and, possibly, revenge in minor acts of arson.   There’s no polemic here, no overt social commentary (less so than in Butor’s later work on the USA, Mobile, where he uses the texts of treaties with the Native Americans, amongst other found sources, or in his collaboration with composer Henri Pousseur, which uses protest songs).  Here too, as in Akomfrah’s film, the story of this exile trudging the streets of a dismal city, is intercut with mythic narratives, of Theseus and the Minotaur, of Cain and his brother, of Oedipus and his father.

So many of Akomfrah’s images are in my mind now.  The empty icy landscapes and the faces, hopeful, anxious, resigned.  The voices too – patrician tones reciting Shakespeare – ‘this sceptred isle’ – Leontyne Price and Paul Robeson, a West Indian migrant speaking of the gulf between the paradise he hoped for and the reality he encountered.  Polyphony.

Trailer here:  http://www.youtube.com/watch?v=xegOksDquyo

http://www.newstatesman.com/blogs/cultural-capital/2010/10/john-akomfrah-film-muses-black

http://cinema-architecture.blogspot.com/2011/07/john-akomfrahs-nine-muses.html

http://weblog.liberatormagazine.com/2011/08/ghanian-briton-filmmaker-john-akomfrah.html

http://soundandmusic.org/features/sound-film/interview-john-akomfrah

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